Some people would definitely think the process of creating a visual is some form of magic requiring some ability to conjure something from nothing. The myth of left brain/right brain reinforces the false notion that creativity is something that only belongs to a special, magical few. The reality is that, like magic, there is a science to visualization, that it can be learned, it requires practice, and anyone can do it!
Last week, I attended the presentation of Jamy Ian Swiss, magician extraordinaire, at the Penny W. Stamps Distinguished Visitor Series at the University of Michigan‘s School of Art & Design. Followers of visual thinking and information design & visualization will know him from co-writing a chapter of Edward Tufte‘s Visual Explanations. It’s no wonder that Tufte used him in his book. His explanation of the magic trick was more about information design than magic. From the intentional placement location of cards on the table to the narrative story arc to body language, every step of Jamy’s magic is an attempt to direct (or maybe more appropriately misdirect) attention.
Card Placement

When the card is thrown face down on the table, if it’s thrown in position 1, close to the audience member, they are more likely to pick it up or peak at it. If the card is thrown in position 2, the audience member is unlikely to pick it up, but also is expecting some sort of deception since it is placed in a defensive position. Either case pushes the participant out of the story and breaks the story arc. By placing the card in position 3 (just short of halfway between the magician and the audience member), a balance is achieved by keeping the audience member in the illusion, but not offering a peak ahead in the story.
What fascinates me about this is how similar it is to page or screen design. Placement and directing attention matter to the audiences perception of the piece.
Body Language
Shifting weight: Placing weight on one leg or another will guide people’s attention and expectations. Putting weight on the forward leg adds energy and almost an arrow implying direction. Placing weight on the back leg implies an anchor or station. Lifting the heal of the lighter foot further adds to that implication.
Muscle Tension: Letting a hand hang loosely implies that there is nothing in it, while holding one stiffly implies that it is holding something.
Why talk about body language on a visualization blog? Minimally because you may need to visualize people in your messages and how they appear will impact your story, but I think it’s much more than that. Body language is a visual story in it’s own right. How you use your body in daily conversations, meetings, and presentations influences how people perceive you. Not only being aware of the messages, but crafting the message your sending with your body can have a significant impact on your communications. In fact, much of people’s perceptions of you come from the message your body sends. On occasion it can even override your words and your other visuals.
Visualization doesn’t have to be magic. A few simple principles can help you improve the way you solve problems and sell ideas. Want to learn more? Contact me and I’ll help you find a solution that’s right for your needs.